Skirts
By Sylvia Silk
If I was writing an article on the first time I tried on feminine clothes - behind closed doors - I would not use the words 'in a skirt' to mean an entire outfit. Very often, the first time a trannie slips into something silky, a skirt will not be included in the outfit. Very likely, it will be a case of trying on a few pairs of panties, plus stockings or tights, perhaps.
It may also be significant that, with hardly a moment's thought, I came up with 'slips into something silky' for this first act of cross dressing. At this early stage, the texture of fabrics may be more important than the form of the garments - how it feels, rather than what it is.
Not that the way it feels is absent from the pleasure in a skirt. I have already mentioned feeling the breeze about one's thighs - and there are other delicious sensations, too. It's more that one has to put the skirt through its paces to experience the pleasant feelings, it's less an immediate pleasure on slipping on the garment. The slower dawning of the pleasure, though, is not necessarily a bad thing - something to anticipate, to enjoy at leisure.
The initial pleasure, the first time one tries on a skirt, is likely to be visual - looking at the effect in a mirror, we see ourselves transformed into a closer approximation of the women we see in the streets. Glancing down, we see the skirt from an angle we have not seen before: on our own bodies. It is new, it is exciting. Perhaps we sit - inevitably without much grace. Inevitably, too, the skirt rides up - those are our own thighs suddenly exposed... thus we are drawn into the first pleasures of wearing a skirt.
The skirt riding up as we sit down may be our first introduction to the skirt modifying the way we move. With a full skirt, a massculine gait may set the hemline moving more than we wish. With a tight skirt, our step is restircted much more directly. A long stride is impossible without damaging the garment. The feeling of a skirt confining our legs as we attempt too long a step may be our first experience of a direct physical sensation arising from skirt-wearing. There is something akin to bondage - sexually potent, arousing - in this sensation. In extreme cases (ie the hobble skirt), our legs are more or less trussed up.
Wearing full skirts, it's a question of whether (and how much) we wish to expose our thighs. If the tight skirt is exciting because it reduces our options, a full one may be exciting because it increases them. We can elect to step demurely - or we could decide on the opposite. Maybe we'll do a twirl in front of the mirror, we might flash our knickers that way, if the skirt is full - although succeeding in that may take a little practice. Assuming control of a full skirt is a skill.
Once beyond the confines of our own homes we may well choose to wear our skirts modestly, or boldly, by turns. Tripping down the street, our modest little steps are probably best, hems bouncing a little but not outrageously. Stepping onto the dancefloor, we encounter the allure of spinning, allowing our skirts to fly like birds, the joy of flashing our undies.
The choice between modesty and boldness lies not only in the ways we move, but in which skirt we select. There is an enormous range of variations on the theme of the skirt. They cannot only vary from the tightest sheath-like creations to full circle skirts - but the hemline can be anywhere between the floor and the upper thigh.
To judge from the people I see, mini skirts are very popular with trannies. I have several of them myself - they're so hard to resist. The trouble with a mini is that it allows little scope for the "now you see, now you don't" tease. Of course, they do allow the possibility of knicker-flash - that said, flashing one's knickers in a really pleasing way whilst wearing a very short skirt is less easy than it may seem. It can be done - tennis players provide a good example - but it will require a bit of thought and practice.
This element of putting thought and practice into getting the most out of wearing a skirt is, surely, a factor in the skirt being such an object of desire. Effective skirt wearing is an art, and like any other art there's a satisfaction in developing and improving it.
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