Creating A Sexy Cleavage

It's easy to use make-up to create the illusion of bigger boobs and sexy cleavage with a plunging neckline, but do it subtly. To create the illusion of having more cleavage, simply apply and blend a little dark colored bronzer to the area between your breasts where the cleavage is supposed to be. If you don't have any bronzer handy, try applying a little white powder on the top halves of your breasts first, then apply a dark eye shadow color between them.... blend well. Think about flattering necklines to make the most of what you've got. Contour seaming, halternecks and cross-your-heart necklines all enhance a small bosom. A bustier or corset top is guaranteed to create a cleavage where none exists, but make sure you don't overcompensate by choosing one that's too tight. Don't ruin everything by wearing an ill-fitting dress that you can't fill out.

dancewearThe first requirement when wearing Dancewear is to shower and shave in order to get my legs feeling slinky smooth. I then proceed to slip into a white coloured satin deluxe naked tanga followed by a pair of seemless tights, again in white. Feeling 'all femmy' and gloriously comfortable I put on my supersoft bra, padded out with a pair of socks. I then eased my way into a pink and white tutu. The soft flimsy skirt is positioned as to allow a pair of pink frilly panties to be worn and for the multiple layers of pink frills to be visible, front and back at all times. Finally, ballet pumps are worn to complete tutu16athe look. All I need do is practice my curtsy. The thrill - I am transformed into a fairy princess, all silky smooth and girly. As an alternative to wearing my tutu, more often than not, I wear a satinized body with high cut legs. When worn with 2.5 Inch heels that accentuate my long, shapely legs I am again in heaven. Oh, to gaze down and finger my slinky, smooth nylon clad legs and caress the full majesty of my C cup bra! Colour combination is important. Ecru/white tights with a black or pink body, caramel or nude tights with white body or black tights with black or coloured body. Trixie

She sashays into the room wrapped in a scarlet sheath. Her nails are the same colour... and her lips? What would this image of feminine allure be without lipstick? Some people's favourite images of femininity might revolve around lingerie, perhaps, or high heels. Mine are firmly focused on the lips. I think, for example, of Robert Palmers 'Addicted to Love' video. The women on the instruments, in their black dresses, wore make-up which seems to obliterate their facial features - except the lips. Their bright red lipstick holds my eye. My favourite pop video - I love it! An equally memorable lip image is the opening sequence of the 'Rocky Horror Picture Show'. Lips, tongue and teeth occupy the screen against a black background, just red lips, pink tongue and white teeth. Other kinds of make-up have their place of course, but lipstick is special. I feel that wearing it lies close to the heart of who I am, and what I do. f682_705gnrsxdlipspage4.jpgIf I was in a balloon sinking slowly towards the ocean, with all of my feminine trappings aboard, what would I throw out first to gain a little height? Sure as there are no eggs in my basque, it wouldn't be a lipstick. And I feel sure that my final pair of stilettos would go before my last lipstick... As 'last lipstick' implies, one lipstick is certainly not enough for me. I like to have a choice of different manufacturer's products. No two are quite the same - the textures are different, they go on my lips differently, and they don't look quite the same once applied. I like to have more than one type of lipstick - both the 'stay-put' kind, and the ones that leave their mark. Above all, perhaps, I need a choice of shade - the more shades the better in fact. Last night, for example, going out in a green skirt and yellow blouse (a pleasingly spring-like combination, I think) required a muted lip colour. I picked one called 'Strawberry', which may suggest a bold red, but is actually a dark pink. In fact, 'Strawberry' is quite similar to the natural colour of my lips... but, in spite of the similarity, it doesn't leave me looking as if I had forgotten to put my lipstick on - that would never do!!! Going out the week before, I strutted my stuff all in red. Strawberry would not have gone with my outfit, I needed a proper, full-blooded red. The one I selected is called 'Poppy'. It is just about the colour I'd expect a poppy to be, just a little darker than 'Scarlet', another lipstick generally to be found in my handbag.
  The colours are lovely, but the names of theses lipstick shades strike me as being a little dull. Of all the shades which have passed through my fingers, I think that my favourite name was 'Hearts Afire'. If I recall correctly, it was a Max Factor one. The name was enought to banish all doubt that this was a lipstick - there is no 'Hearts Afire' in the Dulux range! I don't know whether the the names of the shades are, in general, becoming more dull - or whether it's just the ones I've been buying. Either way, I look forward to them perking up... I always look forward to applying my lipstick, and enjoy prolonging that pleasurable anticipation. When I was a child, I liked to leave the best bit of my dinner to last. It was the same with a packet of fruit gums - I ended up with a pocketful of fluff-coated black ones. I'm still much the same, at least when it comes to getting ready, that is: I now eat my dinner in a more sensible way, and haven't had a fruit gum for years! I have a regular routine for my process of feminisation. I enjoy it all, but some parts are inevitably better than others. First of all comes foundation, then powder, blusher, and eye makeup. With almost all of my makeup on, I dress, then put on my shoes. The wig is almost the last item, an important moment - inspecting myself in the mirror, nearly ready. Finally, the crowning stage, and in many ways the best of all - lipstick. Like any pleasure, putting on my lipstick is not to be rushed. I apply it slowly, lovingly. I roll my lower lip over the upper one, then contemplate my reflection. I apply a little more lipstick... the process can last for quite a long time. Why hurry when I'm enjoying myself? Sometimes I use a lip brush - I have a retractable one which is a very satisfying little gizmo. Once I have finished putting on the lipstick in the usual way, I work round the outline of my lips with the brush. It extends the process a little bit further, makes it last a little but longer, and adds to the enjoyment. Of course, it wasn't always like that. While I have been attracted to, even fascinated by, lipstick since my early teens, I was well into my twenties before I applied it to my lips. In spite of my writing: 'Why hurry when I'm enjoying myself?' - there are limits. My lack of hurry in first sampling the delights of lipstick now seems crazy. Perhaps I was (at least a little bit) crazy when I was a teenager... I handled my sister's lipsticks, removed their tops, slid the lipstick itself out of the tube and then back in again. I would have loved to apply it to my lips, but it would be years before I found the courage to do so. A large part of the problem, I think, was that I didn't know how one went about removing it. Putting on my sister's clothes was one thing, I had a fairly good idea of how they would come off again. If anyone came home unexpectedly, undressing might be a rushed process - but I felt confident I could manage it. But how did girls remove their lipstick? Would washing remove it entirely? Did it require some make-up removal product? If so, which? My sister had a selection of liquids and creams, of whose function I was unsure.
  f682_703gnrsxdlipspage3.jpgThere was a nightmare quality to the idea of trying to discover how to remove lipstick - desperately and in a hurry - as I heard a key in the door. Did I dare risk that possibility? In the end, with much regret, I emphatically did not dare. My not daring to try my sister's lipstick was compounded by the layout of the house. My sister's bedroom and mine were off the same upstairs passage, next to each other. While dressing in her clothes, moving from room to room was no problem. However, I suspected that removing the lipstick might involve using the bathroom, which was downstairs and reached via the kitchen. To get there from my sister's room (or mine) involved going downstairs and past the front door (a likely spot for running into someone entering the house), then through the dining room and into the kitchen (with its back door, the other likely spot for encountering people coming home). Thinking about that now, the solution seems obvious. Take the lipstick down to the bathroom, put some on my lips, and then see how easy or difficult it was to remove. There was no need to wear a skirt in order to experiment with make-up. Oh well, I've thought of that solution three dozen years too late! In fact, of all the things which give me a lot of pleasure, I think that lipstick may be the most recent to have really grabbed me. After my teenage era of feminine experimentation, I grew a beard. Goodness knows why I did it - I was still dressing in private. It was during this bearded period that I first wore lipstick. I was living on my own then, and no longer worried about family members returning unexpectedly, or even paying me the occasional visit. Alas, the effect of the lipstick was far from flattering. My reddened lips served only to emphasise the beard. My reflection was grotesque... well, it was probably always pretty grotesque during that period, but usually I didn't notice the beard. I had developed a sort of beard-blindness, but that selective blindness didn't operate when I looked at my lips... I still can't think about my reflection that first time I tried on lipstick without a little shudder. Ugh! Unsurprisingly, it was only when I lost the beard that I started to enjoy my lipstick. By this time, I was a Transformation customer, and had 'come out' to one of my friends. I took to decorating my letters to him with lipstiuck kisses, I got a lot of a kick out of that. It seemed a continuing 'coming out' process, and also had a slight hint of danger. What if someone else saw the letters? Another pleasure in those lipstick kisses was the realisation that no two people's lip prints are identical. The marks on the paper were as individual as my fingerprints. Just me, and nobody but me.
  Here is one of the basic pleasures of lipstick - leaving my mark. I think it satisfies primal instincts - other creatures such as cats and dogs do it with scent. Wearing lipstick, it's visual, but it seems like a very similar thing. Seeing my lipstick on a glass for the very first time gave me a tremendous thrill. I had noticed women leaving such traces many times, but this time it was me. Wow! Leaving my mark continued to give me pleasure, I suppose, but there's nothing like the first time. A different way of leaving one's mark with lipstick is the message on a mirror. I gather that it's an approved way of makeing one's farewell... This is the kiss off, Buster... Or, if one is leaving with the contents of the sap's walletL So long, Sucker... Or even: So long and thanks for all the fish... But I've never used one of my own lipsticks (or anyone else's!) to write on a mirror. It could be that I don't live the right (or wrong) lifestyle for that sort of thing. It could be that I'm too concerned with the condition of my lipsticks. If I see someone in a film using my favourite kind of make-up for that purpose, I do worry about what it's doing to the lipstick. Perhaps I should have been someone's mum: "Look at the state of your lipstick! It was a really nice one too. Whatever have you been doing to it, you bad girl!" Sticking with bad girls - and marks - I have a slight regret that I gave up smoking before I really took to wearing lipstick. Smoking is a vice of by bearded era, and I've never been very sorry that I gave up the habit. All the same, there is an attraction to the idea of seeing lipsticked cigarette ends in the ash tray, and knowing that they're mine. Another pleasure of lipstick is the taste. There is a slight (and sometimes not so slight) waxy taste which remains for as long as the lipstick is on my lips. I enjoy this constant reminder - I don't forget about my lipstick in the way I do, say, my eye shadow. Not the least wonderful aspect of the taste has to do with kissing. Kiss someone wearing lipstick and there is at least a hint of the taste. (This depends on the kind of kissing as well as the kind of lipstick - some kisses carry a lot of flavour!) Kissing someone wearing a different lipstick from me, I realised for the first time that not all lipsticks taste alike.  
  f682_702gnrsxdlips.jpgThat was interesting, but the real revelation came with kissing someone wearing the same lipstick as me. I had a slight taste in my mouth - so slight that I was scarcely aware of it. Then, our lips met, and the taste suddenly intensified... Hearts Afire! This is something of which I have never grown tired. Enjoying, as I do, both the taste of and the marks left by lipstick, it seems almost unaccountable that I have taken to wearing lipstick with the minimum taste, and which resists leaving marks. I refer, of course, to the 'stay-put' varieties, available from several manufacturers. I've tried several brands of these. One of them, I bought purely on the grounds of it being recommended by Cosmopolitan. I suppose I figured that if Cosmo didn't know which lipsticks were which, who did? In fact, it didn't prove my favourite and I only bought it in one shade (unlike the ones I prefer, where a single shade is certainly not enough for me!). So, what is the attraction of the stay-put lipsticks? I think that it has something to do with their seeming new, glamorous, in the fashion. There is a novelty in the colour not readily coming off. But, above all, I think that I like the shape of these lipsticks. They are longer and thinner than a conventional lipstick, almost like a tube of mascara. They seem to me to have a lot of style. Touching up my lips in a pub or club, I feel pride in producing my elegant-looking lipstick. It seems a piece of class. This is important because not only is lipstick the kind of make-up I most often touch up in public, but doing so gives me a lot of pleasure. There is a kind of paradox in touching up my lipstick. Colouring my lips is essentially an out-going activity, primarily it changes my appearance to others. Yet, gazing into my handbag mirror, applying the colour to my lips, is an entirely self-absorbed activity. The contrast between the outgoing and inward-looking aspects of doing this seems to me deliciously feminine...  
  Wearing lipstick is something I seem to do for the benefit of others. Unless I look into a mirror (which, vain as I am, is something I only do occasionally) I cannot see my lips. But this appearance of it being for others is an illusion - I wear it for myself. Perhaps that's why I so treasure the feel of lipstick on my lips, and its slight taste. A part of the pleasure of redoing my lips in public is that it means closely contemplating my lips in a mirror. Nor is this a small part of the pleasure. I enjoy looking back at what lipstick does for my lips, I enjoy lipstick period... ...I sashay into the room wrapped in a scarlet sheath. My nails are the same scarlet colour... And my lips? What would my conjuration of feminine allure be without lipstick?

IT STARTED WITH A NIGHTIE

From what I’ve read and learned there are crossdressers, transvestites and transsexuals to be found in every walk of life, every background and every social group. I don’t think I could come up with one ‘type’ of person who couldn’t fall into one of those categories or another.

 

Fair enough, not every individual is a transvestite, but I reckon that we all know one without ever knowing it. The nearest to the ‘type’ of person I could think of who was least likely to be a transvestite was me. Now if that isn’t a sweeping statement I don’t know what is, but let me try and explain.

 

I’m in my mid-thirties and I work in the security industry. I love contact sports, football and rugby. I’m six foot tall, long-haired and I’m a heavy metal loving, part time writer, full time beer drinker. Oh, and I served in HM forces in all the mud and muck that the wetter parts of Europe could supply.

 

You know the sort, the gun-toting, hard drinking, hard swearing, macho type that terrifies the locals, smashes up bars and the countryside with equal abandon, all in the name of our national defence. Best off all, the good old tax payers paid me and my colleagues for doing it. Travel the world, meet interesting people and kill them. Fun, huh?

 

Lonely

 

When I left the forces I wandered about a bit, met some very interesting people and realised that I didn’t want to kill them. I got a short term contract job with a security firm and moved down South. It was in a not so sunny London that I first came across the ‘alternative scene’. I found London to be a pretty lonely place, busy as hell and full of people, but no one seemed to have a minute to spare for themselves.

 

Unless you got ‘in’ with the crowd quickly, it seemed you were destined to spend most of your time on your own. For a bit of pocket money, I worked the door at a couple of nightclubs, many of which ran theme nights. One of these was a real eye opener for me even though I’d lived in Germany for three years.

 

Fetish clubs seemed to be springing up all over the place – having seen evidence of one or two ‘fans’ at rock clubs and heavy metal gigs I wasn’t repulsed, but then again I wasn’t particularly drawn to it. I wasn’t really bothered either way, long sifts, little cash and little interest in anything but beer and bands really.

 

No whether this had planted a time bomb in me I don’t know, but a few years later I read a newspaper advert looking for new writers. One of the subjects the advert requested manuscripts under was erotica, so working along the lines of ‘anyone can write that’, I sent off for the publishers guidelines and got by return a sample of their previous output. One of the pieces was transvestite fiction at its very worst…

 

Putting my ‘anyone can write that’ attitude next to my very limited knowledge of fetish clubs, I set off and began writing. Easy as that, no problem, even my four finger typing couldn’t keep up with what was pouring out of the word processor.

 

Heady stuff this sudden creativity, it isn’t until you’ve read it over that you realise how bad it actually is. Descriptive, suggestive, sensuous, whatever words I tried to apply to the stories and tales didn’t quite fit. I’m biased enough to say it was good, but it lacked feel, missed intuition.

 

I couldn’t express what the characters felt when they were dressed or forcibly dressed, what was it like to put on lipstick or to wear spiked high heels? I didn’t know, and there’s nothing worse except writers block than having an excellent idea for a story but not knowing how your characters feel, act or react.

 

Crossdress

 

How was I going to get over the problem? Brain wave! Ask my girlfriend! Great idea? Well, yes and no. You see, I’d developed this particular character, Daniel – I’ll leave the plot out for the most part, but he’d fallen into a tangled web involving this mistress, she’d got him to crossdress and I didn’t know what to do with him.

 

The trouble was doubled in that the more I was writing, the more I was becoming intrigued by the whole thing. I found it easy enough to get into the character’s heads, but I couldn’t get into the character’s clothes, so to speak. If I was already writing good stories, how much better would the stories be if I understood what my character got from crossdressing? Which is roughly where the nightie came in.

 

The first time was innocent enough – HA! Who am I trying to kid! I don’t know if it was innocent or not, what I do know was that is was as broad a hint as I could possibly have come up with. I sneaked off to bed early one night, slipping under the duvet in the light blue, strappy nightie I’d ‘discovered’. Just below knee length, slightly flowered over the breasts (or where my breasts would have been). Soft and smooth on my skin. Exciting? Yes. Arousing? Definitely.

 

I lay quietly in bed, nervously waiting for my girlfriend. This nervous anticipation certainly lent an edge to the experience. At worst it would be outrage and disgust, at best she’d just laugh!

 

As it turned out, it was better than that – it was sensational! To protect the less than innocent I will spare you the details… oh alright then! I couldn’t get my head to follow what my body was feeling, from the touch of Lynn’s hands on me through the nightie, to the way my nipples seemed to set themselves on fire. Lynn ‘asserted’ herself and it came as a very pleasant surprise to me that she loved the ‘power trip’. When she straddled me and took over completely I was totally blown away.

 

It became a regular ‘nightie’ game, too regular for both of us really so we cooled off from it for a little while. The nightie was still around but it wasn’t on all the time. I explained to Lynn about my problem writing and where the idea for the nightie had come from. If I could work out what it felt like then I’d have a better idea what to do with the characters in the story. (I think I’d left poor Daniel standing there in a white lace nightdress and negligee).

 

After getting the problem off my chest, the writing took off again. I now had the added advantage of Lynn proff-reading and giving me a sounding board for ideas. I was very pleased with the insight into what women get up to getting themselves ready and why they disappear into the bathroom for hours on end.

 

I’d been writing almost by rote, following the same routine for the characters getting dressed, doing make-up and so on. Having Lyn’s guidance into how women think about their clothes and cosmetics gave me pointers. I was able to channel these into the characters, putting flesh onto the bones so to speak, albeit with a certain amount of guesswork. Some things were apparently sacred.

 

Lingerie

 

Somewhere along the line I graduated from the nightie to lingerie – bra, stockings, suspenders and panties. If the nightie had been a shock to the system, the lingerie just about blew my head off. I know that it was a little strange for Lynn, the first time I filled up the bra cups with balled up socks she wasn’t too happy at all. I could see her point, so I didn’t push it, though I think that when she saw what she could achieve by playing with my nipples through the bra, she was as impressed as I was!

 

After a boozy night at the local we got home and I got it into my head to ‘go all the way’. The beer having loosened my tongue from my brain I asked if she’d mind making up my face. She agreed with the proviso that in the future I was to start doing my own. Watching the transformation in the mirror while she worked, I was astounded by the amount of work that actually goes into making up a face. The change in my looks astounded me even more, once Lynn had attacked my unruly hair I just about fell off the side of the bath…

 

The make-up kept dragging me back to the mirror, staring at my reflection in fascination, puckering my lips and trying to see the ‘ME’ beneath the cosmetics. I’ve never been particularly fashion conscious, nor have I ever really been bothered with how I look. This ‘other self’ was immediately different though, I was deeply concerned about how my hair looked and what would other shades of lipstick and eye shadow do?

 

Lynn says she notices a change come over me when I’m dressed, calmer, softer, kinder? I’ve not really explored this with her, perhaps I should, but then again I find the prospect rather daunting. I know I feel much more relaxed and at ease and that I’m intensely aware of ‘myself’. It might be that I’m afraid of losing the feelings and sensations if I try to classify them. There is also the worry that Lynn is merely ‘putting up’ with my sudden interest in crossdressing. I’ve asked her, halfheartedly, if she minds. She has said that she doesn’t and that she actually actually likes it, though I still have the nagging fear that she’ll ask me to stop.

 

Guilt

 

That must be the guilt coming through I guess. Though why I should feel guilty about being a transvestite I don’t know. It’s not as if anyone I know has ever told me that crossdressing is the ultimate evil and that practitioners of this ‘black art’ will be sent to eternal damnation.

 

Alright, so the media does, and the bible does too. I’ve never paid much attention to the former, and no attention at all to the latter, so, as I don’t really care what anyone thinks of me, where does this guilt come from? I don’t know and I don’t care, but I don’t like it either.

 

High Heels

 

My worries over Lynn’s feelings towards my crossdressing were assuaged when she told me she’d love to see me in high heels. Quite where she got this bolt from the blue from I don’t know, but believe me I’m not complaining! She was insistent about it, even down to wanting twin thick buckle straps at the ankle and the style of the shoe!

 

The enforced change to my posture made me all the more conscious of the whole effect. My mannerisms and movement had to change and adapt, even I noticed this ans I revelled in it. Lynn was so right about the ankle straps, they definitely have an effect.

 

When I stand up or walk, my back is straighter and my legs appear longer and far shapelier. My steps have to be smaller and neater, calf and thigh muscles stretch delightedly. I’m always filled with elation when I hear the heels click on the kitchen floor.

 

We are never ever going to get a carpet or carpet tiles in there.

 

From Lynn I learned that less is often more, toning down my make-up from the full-blown parrot and panda to a more sophisticated look. I remember Lynn’s initial reluctance to kiss me after my first attempt at painting my lips, hardly surprising really as I might as well have used an industrial sized brush! The same conclusion occurred in the boob department. I’m slim as well as tall, so big boobs don’t work – smaller can be more beautiful and I think Lynn was absolutely right.

 

Outfits

 

Being on a restricted budget, neither Lynn nor myself can go on rash spending sprees – thank goodness for charity shops! Whilst our wardrobes are not bursting, they have grown and I’ve a selection of outfits to experiment with. My days off often coincide with Lynn’s work. Well, stick alone in the house with no intention of doing much, a girl has to find something to do, doesn’t she!

 

Not every day and often not all day, but Lynn will sometimes come home to find me dressed. After a quick inspection, we generally end up in bed, so I guess Lynn quite likes the idea of me being at home dressed while she’s at work

 

How far one goes is obviously dependant upon the individual. I can only speak for myself, of course, and I know how fortunate I must be compared to some of the other articles I’ve read.

 

I know I’m never going to pass in public, I would love to do so, but I know that it isn’t practicable. It doesn’t upset me because I can dress more or less whenever I wish and can stay dressed for as long as I choose. I also have an outlet through my writing. It doesn’t really matter whether anyone reads what I write; I can use my creativity to go out for me.

 

Granted, I’ll never buy a drink in a pub when I’m dressed, or go to restaurants etc, but I’ve done all that in ‘real life’. I combine the memories with what I know through my dressing and I’ve got the best of both worlds.

 

Convincing

 

As for being more convincing, yes, I’d love to be more convincing, to be able to express my ‘other’ self more openly. I am, however, conscious of the limitations and how far I’d be willing to go to achieve ‘convincing’. I fully expect that some transvestites long for their own breasts and would give anything for a course of hormones or a boob job. I understand that some people need to go all the way, to become the person they were born to be.

 

Me? Well, lets see. I’d love to have a trimmer shape. To that end I’d love to go overboard with corsetry. The idea of my body being forced to adapt to tight laced and boned corsets or basques thrills me. Obviously this would only work until I removed whatever garment it was, but I’m not looking for a permanent change. Then again, I do shave my legs and paint my toenails. I know neither are permanent, but they are longer term, and I often wear lingerie under my ‘normal’ clothes.

 

For me, the most wonderful aspect of transforming myself is painting my lips. I think that this is because it’s such a feminine thing to do. Similarly, painting my toenails and shaving my legs. I see where Lynn was coming from with the high heels as well, whether or not this is my defining moment, I don’t know. Then again, I’ve read so much on the subject of the ‘defining’ moment that I’m beginning to think mine is the

 

When I’m alone and dressed, I still get all the sensations that I had when I first slipped on the transvestite road, but when I’m dressed and Lynn is with me the sensations are heightened and intensified to such a huge extent that I sometimes struggle to keep my feet on the ground. I don’t feel the need to dress full time – often I don’t dress for weeks. The sensations and feelings seem to become all the more intense with each transformation, not only for me, but hopefully for Lynn too.

 

My writing has evolved from sketchy ideas to new heights, opening new adventures of exploration. I’ve also found that writing female characters has become a lot easier for me to handle, seeing things from different perspectives, ones I hadn’t really considered seeing things from. My crossdressing isn’t a crutch for the writing, nor is my writing a crutch for my crossdressing.

 

The writing could exist without the dressing, but would not be anywhere near as ‘readable’; I can write without being dressed and I can dress with absolutely no intention of writing. I should admit though, that my crossdressing sets my imagination free to pursue ideas that I would never have contemplated without ever having tried on the nightie…

 

One thing that I am absolutely certain about is that my writing would never have flourished without Lynn being there to prompt and probe.

 

Anne



Take a look in the mirror at that male face staring back at you. The stubble, the blemishes, the odd scar perhaps. How on earth do you disguise that? Like any good construction job, the answer lies in ensuring the right foundation. We will presume for the basis of this article that you have had a close shave all over your face and neck, and that your skin is as smooth as you can make it. From here on in it's all about disguise... Beard Cover As you may have guessed, the reason for applying this is to cover the beard area. Not something that most women have to bother about of course, but the most important part of a man's make-up routine. It is very simple to get right, and it will make all the difference to your look. You can check out our beard cover products here. To apply the beard cover always use a damp cosmetic sponge. It is vital that damp doesn't mean wet, as this will make the foundation weak and streaky. To make sure you've got it right, wrap the soaked sponge in a dry cloth and squeeze out the excess water, and it should be just right. Dab or pat the beard cover onto your beard area, and don't forget your neck! Cover one section at a time and blend the cover in, keep on adding it until all the dark shadow has disappeared. Foundation Once you have mastered the beard cover with confidence you can go on to the foundation, and here we are moving into the realms of proper women's make-up. Most women need a foundation, it's just a question of how much. There are two types you can use. Panstick is solid and comes in a container that looks like fat lipstick, while the liquid foundation comes in tubes. Try both and stick with the one you like best. Panstick is perhaps the easiest to use for the novice, as it can be applied straight onto the face from the stick, and then blended in with the cosmetic sponge until your whole neck and face are covered. The liquid foundation is also blende in, but this is best first poured onto the back of the hand and then dabbed with the sponge. Make sure you use enough to cover and camouflage but not too much that your skin begins to crack. It's a delicate balance that practice will make perfect. Concealer Unfortunately even at this late stage there may still be some blemishes and dark shadows around your eyes. Most men are prone to these, and unless you are very lucky, you could well be one of them. The Instant Concealer Stick is a small make-up stick that you dab on in much the same way as the panstick foundation. Just put it on where it is needed, and blend in with the sponge for a perfect cover effect. Powder Start by tipping some powder in the palm of your hand and then collect it with a powder puff. Apply it with a dabbing movement all over your face and neck. Avoid using too much powder around any creases or wrinkles as this can accentuate them, but do apply some lightly on the eyelids to help your eyeshadow stay in place. If in doubt, use less not more. Once you have finished dabbing it on, brush away any excess with a large brush using soft, downward and outward strokes. REmember not to brush up from the chin, as the powder will collect under your bristles there and make your hairs stand on end! Voilà! So now your face should have a nice smooth, even colour and finish. It may look pale, but that will be sorted out with blusher, eyeshadow and lipstick. The main thing, if you have followed our steps correctly is that you have created your own canvas to paint on. Have fun!

Perfect Eyelashes

Lightly powder lashes to give mascara a coat to cling to and will give you Perfect Eyelashes Heat eyelash curler with hair dryer for a few seconds. It will act like a curling iron for the eyes. Hint: Curl twice for a rounded curl. Place the open curl near the lash roots and arrange your lashes between the two rims. Squeeze gently for thirty seconds. Squeeze again at mid-lash for another thirty-seconds. It looks very natural. Give upper lashes a second coat of mascara, concentrating on the tips by stroking the brush horizontally across the lash. Never wait when applying second coat of mascara to lashes. Mascara, especially waterproof mascara, dries quickly and can clump. Lightly coat lower lashes

Our beautician Debbie Shaw offers her top professional Beauty Tips for making the most of your transformation in the simplest and most cost-effective way.

Lips

1 Turn lipstick into lip-gloss with a coat of lip balm after applying the colour. 2 Put your lip and eye pencils in the refrigerator before sharpening. They're less likely to break - and you won't waste so much. 3 Double up your lip liner to fill in your lips as well as outlining them. 4 To prevent lipstick getting on your teeth, try this tip: after putting it on, put your finger in your mouth, purse your lips and pull it out. 5 Dusting a little loose powder over your lipstick will help it stay put for longer.

Eyes

tips2.jpg6 Eye shadow doubles up as eyeliner, if applied with a cotton bud. Dampen the end of the bud for a more dramatic effect. 7 Use a little green eye shadow on red eyelids to mask the ruddiness. 8 Turn ordinary mascara into the lash-lengthening variety by dusting your eyelashes with a little translucent powder first. 9 Stand a dried-up mascara in a glass of warm water to bring it back to life. tips3.jpg10 If mascara tends to clog on your lower lashes, try using a small thin brush to paint colour onto individual lashes.

Nails

11 Dried-up nail polish can be revived by stirring in a few drops of polish remover before using. 12 Bubbles of air in the polish ruin its finish. Prevent this by rolling the bottle between the palms of your hands to mix it up before using, rather than shaking it vigorously. 13 Make cheap nail polish last longer by sealing it with a clear top coat. tips4.jpg14 Rub a dab of petroleum jelly around the neck of a new nail polish bottle, and it should be easy to open for the rest of its life. 15 You can dry nail polish very quickly by blasting nails with a cold jet of air from your hair dryer.

Eyebrows

16 When plucking your eyebrows, coat the hairs you want to remove with concealer - it will help you visualise exactly the shape of the brow you're after. tips5.jpg17 Use an old clean toothbrush to slick unruly eyebrows into shape. 18 If you find eyebrow tweezing painful, hold an ice cube over the area first to numb the nerve endings before you start. 19 A little foundation lightly rubbed through your eyebrows and brushed through with an old toothbrush will instantly lighten them. 20 If you don't dare shape your eyebrows into a feminine style, at least get rid of the long hairs and those over the bridge of your nose. That's just good male grooming!

Complexion

21 If you've run out of blusher, dot a little pink lipstick on your cheeks and blend well with your fingertips. 22 Sweep a little loose powder under your eyes when applying dark shades of eye shadow to catch any falling specks and stop them staining your foundation. 23 Always use a cosmetic sponge to apply foundation - using your fingertips can result in an uneven, greasy finish. 24 If you've put on too much blusher, tone it down with a little loose powder over the top until you've reached a shade you're happy with. 25 Keep the plastic seals or paper discs that came with tubs of foundation and replace after each use. It helps prevent air from distributing in the product and breeding bacteria - which means the foundation stays fresh for far longer.

Make Up Guide

Even the majority of genetic women cannot put make-up on professionally. With this detailed step by step pictorial and written guide you should, with practice, be able to achieve a cosmetic effect that highlights your best features (normally your eyes) and disguises any drawbacks you may have. Please remember: personal tuition in the use of cosmetics is available in total confidence at our own fully equipped salons in all Transformation Shops, staffed by professional beauticians. Tissues and cotton buds are essential to have at hand to correct any mistakes as you go along. There is no substitute for practice, so spend time just putting it on and taking it off - you should finally get down to half an hour. Don't despair, it took me 3 hours to begin with!! You can see how the professionals do it on our Make-up Video, available in both European and American formats. Have fun! Stephanie Anne Lloyd  
  complete 2.jpgApply cleanser to face and throat with fingertips in upward and outward movements, remove with cotton wool. Apply toner with cotton wool using the same movements, then smooth moisturiser over face with upward strokes. Apply miracle beard cover using a damp cosmetic sponge, covering all of the beard area. Remember, only the lightest coating is necessary. Use instant cover to hide any dark circles under your eyes, applying with your fingertips or a damp cosmetic sponge. complete 3.jpgApply foundation over the whole area of the face and neck ensuring you cover eyelids etc. Blend foundation at neckline to ensure there is no noticable line. Apply powder using a fluffy pad or cotton wool, with a pressing and slightly turning action. Apply kohl pencil carefully to form a line right up against eyelashes top and then bottom as illustrated. Draw a cotton bud across to slightly smudge and soften the line. complete 4.jpgStarting from the inner corner of the eye, apply the lighter of the two colours you have selected. complete 5.jpgAlways tap the brush after loading with powder to eliminate colour falling complete 6.jpgcomplete 4.jpgon cheeks.    
  complete 9.jpgUsing the darker colour, work outwards from the center of the complete9.jpgeyelid (this makes your eyes look further apart). Remember you are trying to create an almond shape for your eyes. Next, use this colour underneath the eye ina a gradually widening line from the center to the outside corner. complete10.jpgFill in the gap between eyeshadow and eyebrow with highlight and apply a darker crease line as shown. Remember all colours must be carefully blended so that no definate divisions are noticeable. complete12.jpgSucking in your cheeks to provide a guide line, apply blusher, more at night than in the daytime. Carefully note the position for complete13.jpgapplication and work from the hairline inwards. complete14.jpgYour blusher should be of the same colour group as the lipstick you intend to use. Apply a light coat of mascara, holding a mirror horizontally against your chest for the upper lashes and vertically in front of you for the upper. Using eyelash curlers, clamp them tightly as near to the roots of your upper lashes as possible and hold for 20 seconds. Repeat for the other eye. Lightly stroke in colour using eyebrow pencil, following the natural arched shape but extending them outwards at the edge. Apply a second light coat of mascara, ensuring that 10 minutes has elapsed since the first application. Using a lipliner that matches your lipstick, outline the natural shape of your lips but accentuating the centre bow slightly.  
  complete15.jpgFill in with lipstick, blotting after the first coat by gently biting on a tissue then apply a second application. This routine ensures you maintain lip colour even throughout a meal. For a really sexy look, apply a little lip gloss to the center of your lower lip. Yummy, yummy. complete21.jpgAs an optional extra you can now use false eyelashes. Ours are self adhesive and stik time and time again, simply peel off to remove. An optional third coat of mascara can be applied if necessary, but only for evening wear. complete22.jpgNext to eyes, hands are studied most, so you do need to have long elegant nails. Apply the super-realistic nails by very lightly sanding your own nails first and then applying a very small spot of glue. complete22.jpgCut and shape your nails to individual taste using nail clippers and an emery board only. (Never use a metal nail file even on your own nails) complete25.jpgPaint your nails with your favourite nail varnish. It will not chip, flake or peel off. Never use acetone based varnish remover, it will melt your nails. Special varnish and nail removers are available. The finished result, a professional make-up that will make

Make Up Tips Your eyes are the most exciting and expressive feature you have. They project your mood, emotion and personality, and so emphasising them with make-up is extremely important.

Bear in mind, as you look at yourself in the mirror, that your eye is divided into three parts: The eyelid The center, or depth area The brow bone The classical ideal eye would be proportioned in the following way: one-third from the base of the lashes to the crease line, and two-thirds from the crease line to the eyebrow. You can achieve this proportion with well judged make-up. Eye Shadow I prefer pressed-powder shadows. They are made in many shades and have either pearl or matt finishes. A pearl finish creates a light-reflective, brighter effect - it does however have a tendency to accentuate any flaws and emphasise eyelid creases. Originally, eye shadow was devised to bring out eye colour, but it is now used in more sophisticated ways to highlight, contour and shape the eyes. Eye shadow can emphasise eye colour; it can contrast or co-ordinate with fashion, or it may simply create a different and dramatic look. One thing I don't advocate is the use of colour charts. Your goal is to choose an eye shadow that will emphasise or bring out your eyes - this doesn't simply mean choosing a shade that matches your eye colour. Today, make-up has become much more sophisticated and the newer earthy, subtle tones are more exciting regardless of your eye colour. My preference for contouring eyes is the use of softer eye colours, which are easy to apply. The most effective are charcoal, taupe, tawny browns, and plum or wine colours.  
  eyes2.jpgIn striving for drama and sophistication in applying make-up to enhance your most important feature - your eyes - I prefer using two or three shades of eyeshadow. For example, a lighter to a darker plum shade, or a beige and a tawny brown. The colours should be similar, but slightly different in terms of colour pigment and degree of light and dark. You can always use another colour as an accent shade; for example, lets say you applied charcoal contour shadow then you can choose mauge or amethyst, apricot or yellow ochre for an extra touch of excitement. Highlight shades are most effective when they are lighter than your eyeshadow. Ivory, a pearlised peach, pink or beige on the brow bone is always interesting yet subtle. The following steps will give you a classically contoured eye: 1. You will obtain the best effect by choosing shades that blend from one to the other without leaving a demarcation line. Start with the lighter colour at the base of the lashes and bring it up to the depth area, extending it away from the inner corner of the eye and around the outer corner. Use an applicator or professional brush set for best results. Deftly apply the shadow just under the lower, outer edge of the lid. The deeper colour is then applied from the depth area up onto the brow bone, where it should fade away. I like shades of amethyst, burgundies, tawny brown colours and the smoky shades.   eyes3.jpg2. Apply highlighter or colour accent to the inner half of the eyelid.   3. The last step is the application of highlighter to the brow bone. Blend shades together so that no demarcation lines spoil the effect.  
  eyes4.jpgOutline Your Eyes! An eye pencil is best for outlining your eyes. Your liner should be brown, black, charcoal or navy, so that it looks like part of the eye and gives your lashes a thicker appearance. Black is most effective for a dramatic look (and the one I use), while the lighter shades are softer and more natural. For the top lid: Place you finger on the brow bone and gently lift and stretch the lid so that it's taut. Run a series of short but connected strokes of liner at the lash base from the inner to the outer corner of the eye area. Smudge the liner outward and downward into the lashes with a cotton bud. For further emphasis: Lift the eyelid and stroke on the liner along the inner rim of the lid underneath your upper lashes. Do not use liner under the lid if you wear contact lenses. Use the pencil now to draw a line just below the bottom lashes. The liner should start very thin at the inside of the eye and steadily thicken as you reach the outside. If you don't wear contact lenses then colour the inside lid as well. Eyelashes eyes5.jpgThe eyelash curler is a great help in creating an open-eyed look and adding the appearance of length to the lashes. It is a must when you have very straight lashes or when they droop down at the outer corners. First tilt your head slightly back and look straight ahead into the mirror (a magnifying mirror is best). Now place the lash curler close to the base of the top lashes and carefully clamp it closed for about thirty seconds. This should give a nice curl to the lashes. If you have not achieved the desired effect, go through the procedure once more. Curling the lashes should always be done before the mascara is applied. False Lashes False lashes are not usually necessary, especially for daytime make-up, but they can add beauty to the eye not graced with long lashes and add glamour to an otherwise plain eye. Choose only very fine lashes, not too long, and they should look absolutely natural.  
  Mascara Only use the wand type. Black is best for brunettes, and brown for blondes and redheads. Lightly apply to to bottom lashes. When using mascara on upper lashes, look up and lightly apply it to the undersurface of your lashes - then look downwards and layer the top surface. Repeat this procedure several times until you achieve the desired thickness. Eyebrow Tips The following tips will help you care for and maintain those well-groomed eyebrows: Generally 'underplay' the eyebrows. Subtlety works best. Follow the natural shape of the brow. Never apply colour in heavy, solid lines. Rather, use light, fine, feathery strokes to simulate the natural eyebrow hairs. Eyebrows should always be a few shades lighter than your hair colour - never darker! When they are darker they look artificial and have a tendency to distract attention from the beauty of your eyes. Never shave your eyebrows - they will only grow back stronger and more coarse. Use a dipilatory cream instead. If your brows are a bit flaky or scaly, lubricate them at night with a little vaseline or castor oil. We hope you found this article useful!

"Hi my name is Anna and I have sent you this little true life account. I hope you find it worth adding to your section as I would love some response and maybe advice..." I am a young 27 year old TV from just outside Witney, Oxfordshire. I have been a TV for as long as I can remember, starting from a very young age. I have had the usual life of relationships failing, struggling to work out who I am and so on, but up until now have always been in the closet, never spoken to anyone I know about it and have basically been living two lives, but coping with it well. As I said, up until now. I had a phone call a couple of days ago from an upset ex-girlfriend. She asked me to go over to see her because she had somthing she wanted to ask me. Just so you know, I still really care about her (and her me). We split up not over the TV stuff because she never knew, but we were both just too busy in our lives. However, from my point of view it was very hard to hide it from her. She confronted me straight away: she had found a receipt in our old chest of draws for various items of clothing. My address, name, femme name and email were all on it as well as my work number etc, pretty incriminating really. She also found some stuff in the loft before we sold the house - this is over 9 months ago. As I am sure you understand I felt very trapped, what was I supposed to say? She kept saying that I must never have loved her and that I must be all messed up, saying it not in a horrible way but in a sort of hurt and confused, and I suppose caring, way. She is a lovely person but I just couldn't think of anything to say. I have always kept this secret and now it's been forced out. I have been thinking recently about coming out a bit more, but as much as I know she deserved an explanation... well I'm sure I am not the first to experience this sort of situation. I left the house without telling her but also without denying it. I know that she knows, how much I am not sure, but she knows. I guess that I am looking for advice and maybe some friends. To my knowledge there is no real TV activity around my area and I am feeling a bit alone. I am an outgoing and understanding person and a good listener as well. I hope to hear from you soon.... Luv Anna XxX annatv26@hotmail.com   Darla Ann Burke (darla_burke@yahoo.com) replies: Hi Anna. My name is Darla and I'm a girl just like you. First, I want you to know that you're not all alone dear. I've often felt that way myself in my area. I live in the Mormon Bible Belt girl. Imagine that! There's lots of out here for you dear and most are very supportive. I'm not quite sure what to tell you about your ex-girlfriend. I'm recently divorced and me being T is one of the reasons why, I'm sure. I didn't realize that at first but when I talk to my ex now it seems to be the only thing she brings up, nothing else. It's real tough for me because I have son with her. If it wasn't for him I'd be finished with her for good. I just don't think she ever saw me as a person or truly loved me at all. The song, "What It Takes" by Aerosmith would desribe my situation. Sometimes you got to let things go girl. Coming out is hard, especially when it happens like it happened to you. I've got a paper around here somewhere that has a good article in it about coming out. I'll copy it and send it to you if you'd like to read it. I haven't come out very easy myself either though dear. One time I trusted somebody I shouldn't and they blabbed it all over like I'm some kind of freak. Anyway. I'm sure we could go on and on here but I'd hate to keep you tied down with my mail. I've got to go for now anyway. Stay in touch with me girl. A sister who cares Darla Ann Burke